URAHARA! He looks so good here. But his usual attire is hat and sandals. He's eccentric cool. Or in Max's terms, shaggy dirty. Max is telling me to watch D.Gray Man as well. I might switch if it has less episodes than Bleach. 166 and still counting is no joke.
And we got our PW results back. The whole class got A! Yay! It's amazing. Thank you SO much to all my group members. You guys made the best team ever! It was tons of fun working with you all and I wouldn't have traded it for...many things. Haha! But seriously, I don't think any other combination would have been quite as good AND special despite all that we went through. The entire process was fun, then tense, then slack, then fun again in the end. Full circle :) I'm glad we did what we did and everyone really did a fantastic job. Before anyone throws up from reading all this mushiness I'd better stop. And go to bed. Goodnight all!
So today Rab and Mich decided they wanted to scare me because I was in the art room alone. But because Rab kind of gives herself away in about 5 seconds so it didn't really traumatise me too much. Then they went to the toilet and I was all 'yay now's my chance!' so I parked myself outside. And waited. And waited. And waited. Suspicious students passed. Suspicious cleaners passed. And I started feeling a teeny weeny bit stupid so I blew my own cover in the end. That was a pretty odd story now that I look at it. Hmm.
Those are wolves. Crashing head on into a glass panel! That was not meant to sound sadistic, dear readers. It's just that it's so exciting! Check out the WHOLE installation. I like! A LOT!
HEAD ON is the title of this totally amazing installation art piece by Cai Guo-Qiang, a China-born, New York based artist who is the epitome of AWESOME.''In this tableau, a pack of 99 life-sized wolves gallops at full force toward a transparent glass wall, leaping through the air in a unified arc, only to collide head on into the unyielding barrier. The wall—first realized to the exact height and thickness of the Berlin Wall—represents society's tendency to search only for the obvious, missing instead what may not be immediately evident but ultimately more dangerous. In Cai's artistic iconography, wolves possess a ferocity and courageousness similar to tigers and achieve heroism through their collective unity. In this installation, however, their cohesiveness leads to their ultimate downfall. Here, through the emblematic imagery of wolves, Cai intends to address the human fallibility of following any collective ideology too blindly and humankind's fate to repeat mistakes unthinkingly.'' -Michelle Yun (an excerpt from Guggenheim Museum's website)